"Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)" by Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe was released on January 1, 1972. Since Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Bruch: Violin Concerto No.1; Scottish Fantasia by Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) by Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | G Major | 1 | 9B | 122 BPM | ||
Schumann: Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft | Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | A Minor | 2 | 8A | 114 BPM | ||
Sonata in A Major for Violin and Piano, FWV 8: IV. Allegretto poco mosso | César Franck, Augustin Dumay, Maria João Pires | A Major | 2 | 11B | 73 BPM | ||
Octet In E Flat, Op.20, MWV R20: 2. Andante | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | A♭ Major | 0 | 4B | 80 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 4. Langsam - Lebhaft - Schneller - Presto | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 74 BPM | ||
Piano Concerto For The Left Hand In D, M. 82: 1. Lento | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | D Major | 1 | 10B | 128 BPM | ||
Klarinettenkonzert Nr. 1 f-Moll: II. Adagio ma non troppo | Carl Maria von Weber, Ernst Ottensamer, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | C Major | 0 | 8B | 71 BPM | ||
Trout Quintet: Finale | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco | Henri Vieuxtemps, Sarah Chang, Philharmonia Orchestra, Charles Dutoit | A Minor | 4 | 8A | 138 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM |