"Our Father" by St.Petersburg Chamber Choir was released on February 22, 2000. The duration of Our Father is about 3 minutes long, at 3:26. Based on our data, "Our Father" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Sacred Treasures III: Choral Masterworks from Russia and Beyond". In this album, this song's track order is #8. Our Father is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Our Father by St.Petersburg Chamber Choir having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
The Snow Maiden / Prologue: "Domoi idi! Postoite! Kak zhe eto?" | Nikolai Rimsky-Korsakov, Lubitza Versaykoun, Nikola Janchich, Sofiya Jankovich, Belgrade National Opera Chorus, Belgrade National Opera Orchestra, Kreshimir Baranovich | B Minor | 1 | 10A | 81 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM |