Elliott Carter, Juilliard String Quartet's 'String Quartet No. 5: Interlude I' came out on 1991. With String Quartet No. 5: Interlude I being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 36 in Carter: The Five String Quartets by Elliott Carter, Juilliard String Quartet. String Quartet No. 5: Interlude I is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of String Quartet No. 5: Interlude I by Elliott Carter, Juilliard String Quartet is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St Anthony Variations, Op. 56a "Haydn Variations": Var. 4. Andante con moto | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
Concerto Grosso: III. Toccata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | C Major | 2 | 8B | 152 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B♭ Minor | 3 | 3A | 90 BPM | ||
Mad Song: I. The Wild Winds Weep, and the Night Is A-cold... | Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins, Dimitri Mestdag | F Major | 1 | 7B | 171 BPM | ||
8 Etudes and a Fantasy: No. 3. Adagio possibile | Elliott Carter, Sierra Wind Quintet | D Major | 0 | 10B | 68 BPM | ||
Clarinet Quartet: I. Notturno. Adagio | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Concerto pour violon et orchestre: I. Praeludium: Vivacissimo luminoso | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
Viola Sonata, Op. 147: II. Allegretto | Dmitri Shostakovich, Maxim Rysanov, Marianna Shirinyan | F♯ Major | 1 | 2B | 121 BPM |