Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs's 'Concerto Grosso: III. Toccata' came out on October 2, 2012. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wilderness and Stillness by Maya Badian, Ludmila Amelina, Gheorghe Mustea, Ludovic Bacs. The song's track number on the album is #7 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Concerto Grosso: III. Toccata's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto Grosso: III. Toccata by Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs has a tempo of 152 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerto Grosso: III. Toccata being at 152 テンポ, the half-time would be 76 テンポ with a double-time of 304 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons: I. Prelude 1 - Live | John Cage, Verbier Festival Chamber Orchestra, Michael Tilson Thomas | E Minor | 0 | 9A | 126 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Gelosia | Aitor Llimerá | B♭ Major | 2 | 6B | 68 BPM | ||
BURSZTYN II: Minimáquina I | Camilo Andrés Méndez San Juan, Vertixe Sonora Ensemble | E Minor | 1 | 9A | 85 BPM | ||
Rhapsody, Concerto for Orchestra (2021 Version): II. Airs and Rhapsodies | Margaret Brouwer, ORF Vienna Radio Symphony Orchestra, Marin Alsop | A Major | 2 | 11B | 105 BPM | ||
The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
Reveille, concert study for violin with piano accompaniment | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | A Minor | 0 | 8A | 116 BPM | ||
Volon | Fred Hersch | D♭ Major | 0 | 3B | 64 BPM | ||
Speaking Drums: I. Tanzlied / Dance Songs | Peter Eötvös, Orchestre Philharmonique de Radio France, Martin Grubinger | F♯ Major | 2 | 2B | 134 BPM | ||
Impression de lièvre | Christian Schittenhelm, Peter Jablonski | G Minor | 2 | 6A | 135 BPM |