"Mad Song: I. The Wild Winds Weep, and the Night Is A-cold..." by Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins, Dimitri Mestdag was released on May 17, 2024. With this song being about 5 minutes long, at 4:54, "Mad Song: I. The Wild Winds Weep, and the Night Is A-cold..." by Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins, Dimitri Mestdag is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Geoffrey Gordon, BBC Scottish Symphony Orchestra, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane's "Mythologies & Mad Songs" album is number 2 out of 9. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Mad Song: I. The Wild Winds Weep, and the Night Is A-cold... is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mad Song: I. The Wild Winds Weep, and the Night Is A-cold... by Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins, Dimitri Mestdag to be Vivace (lively and fast) because the track has a tempo of 171 テンポ, a half-time of 86テンポ, and a double-time of 342 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: III. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 2 | 8B | 85 BPM | ||
Lindberg: Fake News: Reflective Sorrow | Per Egland, Christian Lindberg, Nuremberg Symphony Orchestra | A Major | 0 | 11B | 99 BPM | ||
Revolución diamantina, Act V: Pink glitter | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | D Minor | 1 | 7A | 74 BPM | ||
La sirenita: 2. En la superficie | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 70 BPM | ||
Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Duo concertant, K54: II. Eglogue I | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Concerto Grosso: I. Allegro-Sonata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | F Minor | 1 | 4A | 113 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
Frustration | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 9 | 9B | 125 BPM |