"Variations on a theme of Frank Bridge, Op.10: 9. Funeral March" by Benjamin Britten, English Chamber Orchestra was released on 1969. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 16 in Britten: The Young Person's Guide to the Orchestra; Simple Symphony, etc. by Benjamin Britten, London Symphony Orchestra, English Chamber Orchestra. Variations on a theme of Frank Bridge, Op.10: 9. Funeral March is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on a theme of Frank Bridge, Op.10: 9. Funeral March by Benjamin Britten, English Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
The Firebird Suite (1919 Version): VI. Lullaby | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Minor | 0 | 1A | 170 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Helios, Op. 17, FS 32: Helios Overture, Op. 17, FS 32 | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | C Major | 1 | 8B | 72 BPM | ||
Scheherazade: Sea Birds | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 46 BPM | ||
8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 1. Zueignung | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | C Major | 2 | 8B | 102 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Gloria, FP 144: 1. Gloria | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | C Major | 3 | 8B | 109 BPM | ||
Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | F Major | 3 | 7B | 76 BPM |