"Gloria, FP 144: 1. Gloria" by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver was released on January 1, 1989. The duration of Gloria, FP 144: 1. Gloria is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Gloria, FP 144: 1. Gloria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Poulenc: Gloria; Stabat Mater". In this album, this song's track order is #1. In terms of popularity, Gloria, FP 144: 1. Gloria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gloria, FP 144: 1. Gloria by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria: 6. Qui sedes ad dexteram Patris | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 89 BPM | ||
Karelia, JS 115, Tableau 4 "Karl Knutsson in Viipuri Castle": Ballade | Jean Sibelius, Raimo Laukka, Sinfonia Lahti, Osmo Vänskä | A Minor | 0 | 8A | 77 BPM | ||
Debussy: Nuit d'étoiles, CD 2, L. 4 | Claude Debussy, Véronique Gens, Roger Vignoles | E♭ Major | 0 | 5B | 71 BPM | ||
Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
Stolen Memories | John Williams, Boston Symphony Orchestra | D Minor | 0 | 7A | 168 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Daniele Rossi | D Major | 0 | 10B | 137 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": IV. Allegro con fuoco - 2024 Remastered Version | Antonín Dvořák, Arthur Fiedler, Boston Symphony Orchestra | G Minor | 2 | 6A | 126 BPM | ||
Rutter: Requiem: Requiem aeternam | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia | G Major | 1 | 9B | 70 BPM | ||
Requiem: XIII. Sanctus | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra | F Major | 1 | 7B | 117 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM |