Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy made "Arizona Lady: Act II - '' Dialog '', No. 16" available on November 24, 2011. The duration of Arizona Lady: Act II - '' Dialog '', No. 16 is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Arizona Lady: Act II - '' Dialog '', No. 16's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Kalmann: Arizona Lady" album is number 34 out of 45. Based on our statistics, Arizona Lady: Act II - '' Dialog '', No. 16's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Arizona Lady: Act II - '' Dialog '', No. 16 by Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | C Major | 1 | 8B | 80 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis | B♭ Major | 1 | 6B | 94 BPM | ||
Serse, HWV 40 (Sung in German), Act II: Act II Scene 14: Recitative: Mein Glück, mein Leben (Amastris, Romilda) | George Frideric Handel, Hertha Töpper, Jean Cook, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A Major | 1 | 11B | 89 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": II. Andante | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | D Major | 1 | 10B | 129 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Nacht (Night) | Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 2 | 9B | 72 BPM | ||
Karelia Suite, Op. 11: III. Alla marcia. Moderato (Live) | Jean Sibelius, Bavarian Radio Symphony Orchestra, Mariss Jansons | A Major | 3 | 11B | 170 BPM | ||
La traviata, Act III: Prelude | Giuseppe Verdi, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 77 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | ||
Let Me Tell You, Pt. I: O but Memory Is Not One but Many | Hans Abrahamsen, Barbara Hannigan, Andris Nelsons, Bavarian Radio Symphony Orchestra | E Minor | 2 | 9A | 84 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM |