"Eine Alpensinfonie, Op. 64, TrV 233: Nacht (Night)" by Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons was released on January 6, 2017. The duration of Eine Alpensinfonie, Op. 64, TrV 233: Nacht (Night) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Eine Alpensinfonie, Op. 64, TrV 233: Nacht (Night)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "R. Strauss: Eine Alpensinfonie & Tod und Verklärung (Live)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Germany. Eine Alpensinfonie, Op. 64, TrV 233: Nacht (Night) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Alpensinfonie, Op. 64, TrV 233: Nacht (Night) by Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite d'orchestre dans le style ancien, Op. 2: I. Française. Allegro giocoso | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | E♭ Major | 1 | 5B | 174 BPM | ||
Soirees musicales, Op. 9: II. Canzonetta | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 1 | 11B | 123 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
Wagner: Die Walküre, Act III: Ride of the Walkyries | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | B Major | 4 | 1B | 105 BPM | ||
Symphony No. 1 in G Minor, Op. 13, TH 24, "Winter Daydreams": I. Allegro tranquillo, "Dreams of a Winter Journey" | Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra | F Major | 2 | 7B | 112 BPM | ||
Mass In C Minor, K.427 "Grosse Messe" - Version By Franz Beyer: Gloria: Gloria in excelsis Deo - Live | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | C Major | 2 | 8B | 125 BPM | ||
Symphony No. 5 in E Minor, Op. 64, TH 29: III. Allegro moderato | Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra | A Major | 1 | 11B | 77 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Elektra: Xiv. Platz da! Wer lungert so vor einer Tür? | Hugo von Hofmannsthal, Richard Strauss, Sonny Wallentin, Bengt Lindberger, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Cello Concerto No.2, Op.126: 2. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Major | 2 | 9B | 124 BPM |