Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani's 'Aida: Act I: Si: corre voce che l'Etiope ardisca' came out on June 8, 1995. With Aida: Act I: Si: corre voce che l'Etiope ardisca being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Aida by Giuseppe Verdi. The song's track number on the album is #2 out of 60 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Aida: Act I: Si: corre voce che l'Etiope ardisca is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aida: Act I: Si: corre voce che l'Etiope ardisca by Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani has a tempo of 60 beats per a minute, the tempo markings of this song would be Lento (slowly). With Aida: Act I: Si: corre voce che l'Etiope ardisca being at 60 テンポ, the half-time would be 30 テンポ with a double-time of 120 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Wives of Windsor: Song - 'As I am a true spirit, welcome!' | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Pagliacci / Act 1: "Qual fiamma aveva nel guardo!" | Ruggero Leoncavallo, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè | D Major | 1 | 10B | 172 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Paolo Montarsolo, Luigi Roni, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | C Major | 4 | 8B | 95 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
4 Sacred Pieces (Quattro pezzi sacri): Ave Maria | Giuseppe Verdi, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Norbert Balatsch | G Major | 0 | 9B | 81 BPM | ||
Simon Boccanegra / Act 1: "Orfanelle il tetto umile" "Figlia! ... a tal nome io palpito" (Amelia) | Giuseppe Verdi, Mirella Freni, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | F Major | 2 | 7B | 85 BPM | ||
Aida: Preludio | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | D Major | 2 | 10B | 60 BPM | ||
King Arthur: Chorus of Unseen Spirits | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | D Minor | 1 | 7A | 78 BPM | ||
Aida / Act 1: "Nume, custode e vindice" | Giuseppe Verdi, Plácido Domingo, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
Suor Angelica: Senza mamma, o bimbo, tu sei morto | Giacomo Puccini, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 84 BPM |