Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny made "The Merry Wives of Windsor: Song - 'As I am a true spirit, welcome!'" available on May 17, 1995. The duration of The Merry Wives of Windsor: Song - 'As I am a true spirit, welcome!' is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Merry Wives of Windsor: Song - 'As I am a true spirit, welcome!''s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Sullivan: Macbeth / King Arthur / Merry Wifes of Windsor". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Hong Kong. The Merry Wives of Windsor: Song - 'As I am a true spirit, welcome!' is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Merry Wives of Windsor: Song - 'As I am a true spirit, welcome!' by Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deh vieni alla finestra | Wolfgang Amadeus Mozart, Simon Keenlyside, Ulf Schirmer | D Major | 1 | 10B | 127 BPM | ||
Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: The battle's roar is over (Richard, Rose) | Arthur Sullivan, Richard Lewis/Elsie Morison/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 4 | 9B | 139 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
The Mikado: Three Little Maids from School Are We | Deborah Rees, Thora Ker, Yvonne Patrick | A♭ Major | 0 | 4B | 89 BPM | ||
Ruddigore: Song: "My boy, you may take it" | Ohio Light Opera | C Minor | 1 | 5A | 135 BPM | ||
2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
Linden Lea | Ralph Vaughan Williams, Ian Bostridge | G Major | 0 | 9B | 99 BPM | ||
H.M.S. Pinafore, Act I: My Gallant Crew | Gilbert & Sullivan Society of Houston | A Major | 4 | 11B | 101 BPM | ||
Let us garlands bring, Op. 18: It was a lover and his lass | Gerald Finzi, Roderick Williams, Iain Burnside | A Major | 1 | 11B | 138 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM |