"King Arthur: Chorus of Unseen Spirits" by Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny was released on May 17, 1995. With King Arthur: Chorus of Unseen Spirits being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Sullivan: Macbeth / King Arthur / Merry Wifes of Windsor". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. King Arthur: Chorus of Unseen Spirits is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With King Arthur: Chorus of Unseen Spirits by Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci: La Commedia: Paliaccio, mio marito (Nedda) | Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini | C Major | 1 | 8B | 93 BPM | ||
Loewe: My fair lady: "I could have danced all night" (Eliza Doolittle) | Frederick Loewe, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | C Major | 5 | 8B | 153 BPM | ||
"Is life a boon?" | Arthur Sullivan, Philip Potter, Royal Philharmonic Orchestra, Sir Malcolm Sargent | D♭ Major | 1 | 3B | 59 BPM | ||
2. Gentlemen, I pray you tell me maiden... | Arthur Sullivan, Colin Wright, John Broad, Royal Philharmonic Orchestra, Royston Nash | C Major | 1 | 8B | 74 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
Finale | William Schwenck Gilbert, Arthur Sullivan, Lars Payne | C Major | 3 | 8B | 111 BPM | ||
Puccini: Turandot, Act 1: "Signore ascolta!" (Liù) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | D♭ Major | 0 | 3B | 92 BPM | ||
23. My eyes are fully open to my awful situation | Arthur Sullivan, Jean Allister, John Reed, Kenneth Sandford, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey | D Major | 3 | 10B | 116 BPM | ||
Grainger: Shepherd's Hey, BFMS 16 | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | E Major | 4 | 12B | 94 BPM | ||
Peter and the Wolf, Op. 67: V. Grandfather | Wiener Opernorchester | D♭ Major | 1 | 3B | 77 BPM |