"Tosca / Act 1: "Or tutto è chiaro..." - "Mario?! Mario?!"" by Giacomo Puccini, Ingvar Wixell, Montserrat Caballé, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis was released on December 1, 1976. The duration of Tosca / Act 1: "Or tutto è chiaro..." - "Mario?! Mario?!" is about 3 minutes long, at 3:15. Based on our data, "Tosca / Act 1: "Or tutto è chiaro..." - "Mario?! Mario?!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 40 in the song's album "Puccini: Tosca". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. Tosca / Act 1: "Or tutto è chiaro..." - "Mario?! Mario?!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act 1: "Or tutto è chiaro..." - "Mario?! Mario?!" by Giacomo Puccini, Ingvar Wixell, Montserrat Caballé, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod | Edward Elgar, Daniel Barenboim, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 66 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Madame Butterfly - Grosser Querschnitt: Wollt ihr mich nun lieben | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | A♭ Minor | 1 | 1A | 100 BPM | ||
Turandot / Act 3: "Diecimile anni al nostro Imperatore...Padre augusto" | Giacomo Puccini, Dame Joan Sutherland, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) | Giacomo Puccini, Gianna D'Angelo, Ettore Bastianini, Fernando Corena, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 3 | 11B | 100 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Il barbiere di Siviglia: Largo al factotum - Remastered | Gioachino Rossini, Erich Leinsdorf | C Major | 3 | 8B | 66 BPM | ||
La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM |