Gioachino Rossini, Michele Pertusi, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly made "Il Turco in Italia / Act 2: "D'un bell'uso in Turchia"" available on January 1, 1998. The duration of Il Turco in Italia / Act 2: "D'un bell'uso in Turchia" is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Il Turco in Italia / Act 2: "D'un bell'uso in Turchia"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "Rossini: Il Turco In Italia". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Il Turco in Italia / Act 2: "D'un bell'uso in Turchia" is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Il Turco in Italia / Act 2: "D'un bell'uso in Turchia" by Gioachino Rossini, Michele Pertusi, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: II. Lyric Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 1 | 5A | 100 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Egmont, Op. 84: Overture | Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd | F Minor | 1 | 4A | 173 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 4: No. 18, Anitra's Dance | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 0 | 9A | 80 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | G Minor | 6 | 6A | 149 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM |