Antonio Vivaldi, Sandrine Piau, Jean-Christophe Spinosi, Ensemble Matheus's 'La fida ninfa, RV 714, Act I, Scene 9: Alma oppressa da sorte crudele (Licori)' came out on January 5, 2009. With this song being about 5 minutes long, at 4:51, "La fida ninfa, RV 714, Act I, Scene 9: Alma oppressa da sorte crudele (Licori)" by Antonio Vivaldi, Sandrine Piau, Jean-Christophe Spinosi, Ensemble Matheus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: La fida ninfa by Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky. The song's track number on the album is #18 out of 86 tracks. Based on our statistics, La fida ninfa, RV 714, Act I, Scene 9: Alma oppressa da sorte crudele (Licori)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La fida ninfa, RV 714, Act I, Scene 9: Alma oppressa da sorte crudele (Licori) by Antonio Vivaldi, Sandrine Piau, Jean-Christophe Spinosi, Ensemble Matheus has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With La fida ninfa, RV 714, Act I, Scene 9: Alma oppressa da sorte crudele (Licori) being at 134 テンポ, the half-time would be 67 テンポ with a double-time of 268 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fago: Confitebor tibi Domine: V. "Initium sapentiae timor Domini" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 0 | 12A | 82 BPM | ||
Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | G Major | 1 | 9B | 119 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Winterreise, Op. 89, D. 911: No. 1, Gute Nacht | Franz Schubert, Dietrich Fischer-Dieskau, Klaus Billing | D♭ Minor | 2 | 12A | 94 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Laudate pueri | Antonio Vivaldi, Magda Kalmár, Lóránt Kovács, Franz Liszt Chamber Orchestra, Frigyes Sándor | A♭ Minor | 2 | 1A | 73 BPM | ||
Dixit Dominus, RV 595: Virgam virtutis tuae: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'Erebo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | G Major | 3 | 9B | 122 BPM | ||
Bach, JS: St John Passion, BWV 245, Part 1: No. 1 "Herr, unser Herrscher" (Chorus) | Johann Sebastian Bach, Marc Minkowski, Les Musiciens du Louvre | B Minor | 1 | 10A | 123 BPM |