"Fago: Confitebor tibi Domine: V. "Initium sapentiae timor Domini"" by Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro was released on October 26, 2018. With Fago: Confitebor tibi Domine: V. "Initium sapentiae timor Domini" being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 23 in Anima Sacra by Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fago: Confitebor tibi Domine: V. "Initium sapentiae timor Domini" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fago: Confitebor tibi Domine: V. "Initium sapentiae timor Domini" by Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Niobe, regina di Tebe: "Serena, o mio bel sole...Mia fiamma...Mio adore" | Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis, I Barrochisti | E♭ Minor | 1 | 2A | 105 BPM | ||
Great Mass in C Minor, K. 427: I. Andante Moderato (Kyrie) | Wolfgang Amadeus Mozart, Accentus, La Chambre Philharmonique, Emmanuel Krivine | F Major | 1 | 7B | 131 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM | ||
A Chloris | Reynaldo Hahn, Véronique Gens, Susan Manoff | E Major | 1 | 12B | 133 BPM | ||
Sartorio: Antonino e Pompeiano, Act 3: "La certezza di sua fede" (Pompeiano) | Antonio Sartorio, Jakub Józef Orliński, Il Pomo D'oro | D Major | 2 | 10B | 127 BPM | ||
Salve Regina in F minor: 5. O clemens | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 171 BPM | ||
Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai | Wolfgang Amadeus Mozart, Il Pomo D'oro, Maxim Emelyanychev | G Minor | 3 | 6A | 129 BPM | ||
Bach, JS: Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderato | Johann Sebastian Bach, Shunske Sato, Il Pomo D'oro | A♭ Minor | 4 | 1A | 93 BPM | ||
St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E Minor | 3 | 9A | 139 BPM | ||
L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM |