Gioachino Rossini, Marcus Creed, RIAS Kammerchor's 'Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie' came out on 2001. The duration of Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Rossini: Petite messe solennelle". In this album, this song's track order is #1. In terms of popularity, Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie by Gioachino Rossini, Marcus Creed, RIAS Kammerchor having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Pergolesi: Confitebor: VI. Gloria Patri | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D♭ Minor | 2 | 12A | 114 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Stabat Mater: 9. Sancta Mater | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | B♭ Major | 1 | 6B | 115 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Sinfonia | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | E Major | 1 | 12B | 100 BPM | ||
Petite messe solennelle (1863 chamber version): Kyrie: Christe eleison | Gioachino Rossini, Mireille Capelle, Catherine Patriasz, Joseph Cornwell, Jelle Draijer, Leo Van Doeselaar, Jos Van Immerseel, Wyneke Jordans, Netherlands Chamber Choir | F Minor | 0 | 4A | 71 BPM |