"Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben" by Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester had its release date on February 1, 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester's "Mozart: Opera Arias" album is number 14 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben by Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester to be Moderato (at a moderate speed) because the track has a tempo of 119 テンポ, a half-time of 60テンポ, and a double-time of 238 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Brevis In C Major Kv 259, Orgelsolo Messe: Gloria | Nicol Matt, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Chrisof Fischesser, Reinhard Geller, Barbara Werner, Petra Labitzke, Daniel Sans, Jens Wollenschläger, Wolfgang Amadeus Mozart | C Major | 2 | 8B | 122 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Conoscete, signor Figaro" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Dietrich Fischer-Dieskau, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | C Major | 2 | 8B | 118 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai! | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | A Major | 1 | 11B | 137 BPM | ||
The Magic Flute, K. 620: Overture | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 90 BPM | ||
Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Freiburger Barockorchester | D♭ Major | 0 | 3B | 65 BPM | ||
Winterreise, Op. 89, D. 911: No. 1, Gute Nacht | Franz Schubert, Dietrich Fischer-Dieskau, Klaus Billing | D♭ Minor | 2 | 12A | 94 BPM | ||
Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni | Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester | B Minor | 0 | 10A | 70 BPM | ||
Requiem in D Minor, K. 626 (Completed F.X. Süssmayr): Introit: Requiem aeternam | Wolfgang Amadeus Mozart, Miriam Allan, Gewandhaus-Kammerchor, Leipziger Kammerorchester, Morten Schuldt-Jensen | C Minor | 2 | 5A | 99 BPM | ||
Allegretto grazioso | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | D Major | 1 | 10B | 135 BPM |