"Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai!" by Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester was released on September 28, 2001. The duration of Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai! is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 9 out of 33. Based on our statistics, Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai! by Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schubert: Stabat Mater in F Minor, D. 383: No. 5, Chor. "Wer wird Zähren" | Franz Schubert, Michel Corboz, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne | A Major | 3 | 11B | 104 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Sequentia: Dies irae | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 129 BPM | ||
Stabat Mater: III. Quis est homo (Duet) | Gioachino Rossini, Howard Arman | E Major | 1 | 12B | 78 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 3 | 8B | 97 BPM | ||
Brockes-Passion, TWV 5:1, II. Teil: 57. Rezitativ: Evangelist. "Pilatus wunderte sich sehr" / ... / 63. Rezitativ: Evangelist. "Wie er nun sah" | Georg Philipp Telemann, RIAS Kammerchor, Donat Havar, Akademie für Alte Musik Berlin, Daniel Behle, René Jacobs | E Major | 2 | 12B | 111 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scena 4. N.18 Recitativo e Aria Il Conte "Hai già vinta la causa!" | Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs, Simon Keenlyside | D Major | 2 | 10B | 80 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 30, Aria mit Chor. "Ach, nun ist mein Jesus hin!" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Concentus Musicus Wien | B♭ Minor | 1 | 3A | 91 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Divinité de grandes âmes | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli | C Major | 2 | 8B | 127 BPM | ||
Stabat Mater: 6. Sancta Mater istud agas | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | A♭ Major | 1 | 4B | 71 BPM | ||
Der Freischütz, J. 277 / Act 3: "Schaut, o schaut! Er traf die eigne Braut!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 174 BPM |