"Xerse, Atto II Scena 18: Ed è pur vero, o core" by Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores had its release date on September 18, 2015. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 40 in Cavalli: Heroines of the Venetian Baroque by Francesco Cavalli, Mariana Flores, Anna Reinhold, Cappella Mediterranea, Leonardo García-Alarcón. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. The popularity of Xerse, Atto II Scena 18: Ed è pur vero, o core is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Xerse, Atto II Scena 18: Ed è pur vero, o core by Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores is Presto (very, very fast), since this song has a tempo of 181 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Passacaglia - Lamento d'Apollo | Luigi Rossi, Francesco Cavalli, Nihan Devecioglu, Friederike Heumann, Xavier Diaz-Latorre | D♭ Minor | 0 | 12A | 113 BPM | ||
Euridice, Prologo: Sinfonia a 5 | Luca Marenzio, Ensemble Albalonga, Aníbal E. Cetrangolo | F Major | 0 | 7B | 129 BPM | ||
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) | Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble Correspondances | F♯ Minor | 1 | 11A | 176 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Scherzi musicali: Damigella tutta bella, SV 235 | Claudio Monteverdi, Magdalena Kozená, David Feldman, Luca Tittoto, La Cetra Barockorchester Basel, Andrea Marcon | B♭ Major | 3 | 6B | 136 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Flute Concerto in D Minor, QV 5:81: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Major | 0 | 5B | 134 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Gli amori d'Apollo e di Dafne, Act II: Act II Scene 4: Vanne Amor (Apollo, Amore) | Francesco Cavalli, Anders J. Dahlin, Paola Quagliata, Ensemble Elyma, Gabriel Garrido | A♭ Major | 1 | 4B | 102 BPM |