"Elgar: The Music Makers (Ode by Arthur O'Shaughnessy), Op. 69: I. Moderato e nobilmente espressivo (Orchestral Introduction)" by Edward Elgar, Dame Janet Baker, Frederic Jackson, Sir Adrian Boult, London Philharmonic Orchestra was released on 1986. The duration of Elgar: The Music Makers (Ode by Arthur O'Shaughnessy), Op. 69: I. Moderato e nobilmente espressivo (Orchestral Introduction) is about 3 minutes long, at 3:28. Based on our data, "Elgar: The Music Makers (Ode by Arthur O'Shaughnessy), Op. 69: I. Moderato e nobilmente espressivo (Orchestral Introduction)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 42 in Elgar: The Dream of Gerontius & The Music Makers by Edward Elgar, Sir Adrian Boult. Elgar: The Music Makers (Ode by Arthur O'Shaughnessy), Op. 69: I. Moderato e nobilmente espressivo (Orchestral Introduction) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar: The Music Makers (Ode by Arthur O'Shaughnessy), Op. 69: I. Moderato e nobilmente espressivo (Orchestral Introduction) by Edward Elgar, Dame Janet Baker, Frederic Jackson, Sir Adrian Boult, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in A minor, Op.82: 1. Moderato | Alexander Glazunov, Gil Shaham, Russian National Orchestra, Mikhail Pletnev | F Major | 1 | 7B | 75 BPM | ||
Symphony in A Major: II. Larghetto | Camille Saint-Saëns, Malmö Symphony Orchestra, Marc Soustrot | B Minor | 2 | 10A | 138 BPM | ||
Vaughan Williams: Fantasia on Greensleeves | Ralph Vaughan Williams, Sir Adrian Boult, London Symphony Orchestra | C Minor | 1 | 5A | 76 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
The Dream of Gerontius, Op.38 / Part 1: "Jesu, Maria, I Am Near To Death" | Edward Elgar, Sir Peter Pears, Choir of King's College, Cambridge, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | E♭ Major | 1 | 5B | 139 BPM | ||
Variations on a theme of Frank Bridge, Op.10: 3. March | Benjamin Britten, English Chamber Orchestra | D Minor | 2 | 7A | 165 BPM | ||
Sorochintsy Fair: Hopak (Arr. For Violin and Piano) | Modest Mussorgsky, Nathan Milstein, Georges Pludermacher | G Major | 2 | 9B | 138 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | A Minor | 2 | 8A | 79 BPM | ||
Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 2 - The Goaler's rooms in New Orleans | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A♭ Major | 0 | 4B | 80 BPM | ||
Capriccio Espagnol: Fandango asturiano | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 68 BPM |