"Vaughan Williams: Fantasia on Greensleeves" by Ralph Vaughan Williams, Sir Adrian Boult, London Symphony Orchestra was released on 1987. With this song being about 5 minutes long, at 4:39, "Vaughan Williams: Fantasia on Greensleeves" by Ralph Vaughan Williams, Sir Adrian Boult, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vaughan Williams: Serenade to Music - The Lark Ascending by Ralph Vaughan Williams, Sir Adrian Boult. The song's track number on the album is #6 out of 8 tracks. Vaughan Williams: Fantasia on Greensleeves is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vaughan Williams: Fantasia on Greensleeves by Ralph Vaughan Williams, Sir Adrian Boult, London Symphony Orchestra has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Vaughan Williams: Fantasia on Greensleeves being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | E♭ Major | 0 | 5B | 101 BPM | ||
Fantasia On Greensleeves | Ralph Vaughan Williams, Vienna State Opera Orchestra, Adrian Boult | C Minor | 2 | 5A | 84 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 99 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | E♭ Major | 1 | 5B | 64 BPM |