"Les Pêcheurs de perles, GB. 4, WD. 13: Je crois entendre encore (Arr. for Cello Octet by Roland Pidoux)" by Georges Bizet, Cello8, Raphael Pidoux was released on December 23, 2022. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Georges Bizet: Les pêcheurs de Perles: Je crois entendre encore and no other songs are present in the album, we classify this track as a single. On top of that, France appears to be the country where this track was created. Les Pêcheurs de perles, GB. 4, WD. 13: Je crois entendre encore (Arr. for Cello Octet by Roland Pidoux) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Pêcheurs de perles, GB. 4, WD. 13: Je crois entendre encore (Arr. for Cello Octet by Roland Pidoux) by Georges Bizet, Cello8, Raphael Pidoux to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in B-Flat Major, HWV 434: IV. Minuet (Arr. Kempff for Piano) | George Frideric Handel, Seong-Jin Cho | G Minor | 0 | 6A | 73 BPM | ||
Carmen Suite (Excerpts from Suites Nos. 1 & 2): Aragonaise | Georges Bizet, Detroit Symphony Orchestra, Paul Paray | D Major | 6 | 10B | 169 BPM | ||
Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM | ||
Carmen, Act III, Entr'acte, Carmen: Carmen: Entr'acte to Act III (arr. for flute and harp) | Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 76 BPM | ||
Salut d'amour, Op. 12 (Arr. by Söllscher) | Edward Elgar, Jian Wang, Göran Söllscher | D Major | 1 | 10B | 76 BPM | ||
Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | ||
Sonata in F Minor, L. 118 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
Adagio Assai | Ravel, Arturo Benedetti Michelangeli | E Major | 0 | 12B | 68 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Concerto In A Minor, RV 356: 1. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | A Minor | 3 | 8A | 123 BPM |