Johann Christian Bach, Janos Balint, Bela Banfalvi, Zsofia Jardanyi, Karoly Botvay, Budapest Strings made "Sinfonia concertante in E Major, W. C44: II. Larghetto" available on January 1, 2009. With this song being about 5 minutes long, at 4:44, "Sinfonia concertante in E Major, W. C44: II. Larghetto" by Johann Christian Bach, Janos Balint, Bela Banfalvi, Zsofia Jardanyi, Karoly Botvay, Budapest Strings is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 44 in Bach, J.C.: Symphonie Concertanti by Johann Christian Bach, Budapest Strings. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Sinfonia concertante in E Major, W. C44: II. Larghetto is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sinfonia concertante in E Major, W. C44: II. Larghetto by Johann Christian Bach, Janos Balint, Bela Banfalvi, Zsofia Jardanyi, Karoly Botvay, Budapest Strings is Presto (very, very fast), since this song has a tempo of 184 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | D♭ Major | 0 | 3B | 174 BPM | ||
Keyboard Sonata in C Minor, Op. 5 No. 6, W. A6: I. Grave - | Johann Christian Bach, Rachel Heard | E Major | 4 | 12B | 122 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Masques et Bergamasques, suite, Op.112: 3. Gavotte | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 109 BPM | ||
Fantasie in E-Flat Major, Op. 18: II. Larghetto e cantabile | Johann Nepomuk Hummel, Madoka Inui | E♭ Major | 1 | 5B | 106 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | ||
Grand Overture in E Major, Op. 18, No. 5, W. C28: II. Andante | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | E Major | 0 | 12B | 93 BPM |