Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli made "La Boheme, erster Akt: A te l'Atto primo" available on April 29, 1961. La Boheme, erster Akt: A te l'Atto primo is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli's "Giacomo Puccini: La Boheme" album is number 2 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, La Boheme, erster Akt: A te l'Atto primo is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La Boheme, erster Akt: A te l'Atto primo by Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza del destino / Act 3: "Venite all'indovina" | Giuseppe Verdi, Giulietta Simionato, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli | A♭ Major | 2 | 4B | 77 BPM | ||
Lakmé | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 2 | 9B | 126 BPM | ||
Der Freischütz, Op. 77: Act II: Wie nahte mir der Schlummer | Carl Maria von Weber, Leontyne Price, Francesco Molinari-Pradelli | A Minor | 2 | 8A | 97 BPM | ||
Bell Chorus (from Pagliacci) | The Accademia di Santa Cecilia Orchestra, Francesco Molinari-Pradelli, The Accademia di Santa Cecilia Chorus | G Major | 3 | 9B | 66 BPM | ||
Andrea Chénier / Act 1: Perdonatemi! ... La notte il giorno portiamo | Umberto Giordano, Montserrat Caballé, Astrid Varnay, Leo Nucci, Neil Howlett, Giorgio Tadeo, National Philharmonic Orchestra, Riccardo Chailly | D Major | 2 | 10B | 77 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Il Trovatore / Act 4: "Siam giunti: ecco la torre" | Giuseppe Verdi, Graham Clark, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 0 | 3B | 72 BPM | ||
La forza del destino, Act II, Scene I: Padre Eterno, Signor, pietà di noi! | Giuseppe Verdi, Dinara Alieva, Anna Maria Chiuri, Cristiano Olivieri, Tiziano Tassi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | G Major | 1 | 9B | 100 BPM | ||
Cherubini: Medea, Act 1: "Colco! Pensier fatal!" (Glauce, Giasone, Creonte) | Luigi Cherubini, Renata Scotto, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 2 | 9B | 115 BPM |