"Violin Sonata in E-Flat Major, Op. 11 No. 1: II. Im Zeitmass eines langsamen, feierlichen Tanzes" by Paul Hindemith, Peter Nagy, Tanja Becker-Bender was released on November 3, 2013. With this song being about 5 minutes long, at 5:20, "Violin Sonata in E-Flat Major, Op. 11 No. 1: II. Im Zeitmass eines langsamen, feierlichen Tanzes" by Paul Hindemith, Peter Nagy, Tanja Becker-Bender is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Paul Hindemith, Tanja Becker-Bender, Peter Nagy's "Hindemith: Violin Sonatas" album is number 2 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Violin Sonata in E-Flat Major, Op. 11 No. 1: II. Im Zeitmass eines langsamen, feierlichen Tanzes is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Sonata in E-Flat Major, Op. 11 No. 1: II. Im Zeitmass eines langsamen, feierlichen Tanzes by Paul Hindemith, Peter Nagy, Tanja Becker-Bender to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Viola Sonata, Op. 11, No. 5: IV. In Form und Zeitmass einer Passacaglia. Das Thema sehr gahalten | Paul Hindemith, Nobuko Imai | B♭ Major | 2 | 6B | 101 BPM | ||
Symphony No. 4: IV. Sehr behaglich | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane Karg | E Minor | 1 | 9A | 80 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Verklärte Nacht, Op. 4: Adagio (Takt 229) | Arnold Schoenberg, Orpheus Chamber Orchestra | C Major | 3 | 8B | 168 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation VI - L'istesso tempo | Sergei Rachmaninoff, Cameron Carpenter, Christoph Eschenbach | E Minor | 1 | 9A | 96 BPM |