"Má Vlast, JB1:112: 2. Vltava" by Bedřich Smetana, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1984. Má Vlast, JB1:112: 2. Vltava appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Smetana: The Moldau / Liszt: Les Préludes; Hungarian Rhapsody No.5 / Weber: Invitation to the Dance / Rossini: "William Tell" Overture". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Má Vlast, JB1:112: 2. Vltava is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Má Vlast, JB1:112: 2. Vltava by Bedřich Smetana, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Má Vlast: 2. Vltava | Bedřich Smetana, Berliner Philharmoniker, Herbert von Karajan | E Minor | 2 | 9A | 99 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Dalibor: "Dobra! Ja mu je dam!...Jak je mi?" | Bedřich Smetana, Renée Fleming, Mariinsky Orchestra, Valery Gergiev | C Major | 2 | 8B | 92 BPM | ||
Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 116 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Light Cavalry: Overture | Franz von Suppé, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 64 BPM |