"Dalibor: "Dobra! Ja mu je dam!...Jak je mi?"" by Bedřich Smetana, Renée Fleming, Mariinsky Orchestra, Valery Gergiev was released on January 1, 2006. The duration of Dalibor: "Dobra! Ja mu je dam!...Jak je mi?" is about 3 minutes long, at 3:16. Based on our data, "Dalibor: "Dobra! Ja mu je dam!...Jak je mi?"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in "Homage" - The Age of the Diva (USA), so we believe that "Dalibor: "Dobra! Ja mu je dam!...Jak je mi?"" is a single. In terms of popularity, Dalibor: "Dobra! Ja mu je dam!...Jak je mi?" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dalibor: "Dobra! Ja mu je dam!...Jak je mi?" by Bedřich Smetana, Renée Fleming, Mariinsky Orchestra, Valery Gergiev is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
Dalibor, JB 1:101, Act I, Scene 4: Zapírat nechci, nejsemť zvyklý lháti (Dalibor, Milada) | Bedřich Smetana, Beno Blachut, Marie Podvalová, Prague National Theatre Orchestra, Jaroslav Krombholc | F Minor | 4 | 4A | 102 BPM | ||
14 Romances, Op. 34: No. 14 Vocalise (Arr. Kocsis for Piano) | Sergei Rachmaninoff, Yuja Wang | D♭ Minor | 0 | 12A | 62 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Kinderszenen, Op.15: 4. Bittendes Kind | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 113 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Dalibor, JB 1:101, Act II, Scene 1: Dle této písně (Jitka, Vítek) | Bedřich Smetana, Štefa Petrová, Antonín Votava, Prague National Theatre Chorus, Prague National Theatre Orchestra, Jarmil Burghauser, Jaroslav Krombholc | D Major | 2 | 10B | 114 BPM |