"Suite in D Minor, HWV 437: III. Saraband" by George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw was released on September 1, 1992. Suite in D Minor, HWV 437: III. Saraband is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Karol Teutsch, Orchestre Leopoldinum-wroclaw's "La grande sarabande de Handel" album is number 1 out of 10. On top of that, France appears to be the country where this track was created. Suite in D Minor, HWV 437: III. Saraband is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite in D Minor, HWV 437: III. Saraband by George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw to be Lento (slowly) because the track has a tempo of 60 テンポ, a half-time of 30テンポ, and a double-time of 120 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thème de Camille - From le Mépris, 1963 | Georges Delerue | F♯ Minor | 2 | 11A | 94 BPM | ||
Adagio - Spartacus | Aram Khachaturian, Royal Liverpool Philharmonic Orchestra, Libor Pešek | A♭ Major | 1 | 4B | 116 BPM | ||
12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre | E Minor | 1 | 9A | 151 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 2 | 7A | 110 BPM | ||
Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM | ||
Schubert: 6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor | Franz Schubert, David Fray | F Minor | 0 | 4A | 79 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Clair de lune | Claude Debussy, Die 12 Cellisten der Berliner Philharmoniker | D♭ Major | 1 | 3B | 98 BPM |