Enrique Granados, Xavier De Maistre's '12 Danzas Españolas, Op. 37: 5. Andaluza' came out on January 12, 2018. The duration of 12 Danzas Españolas, Op. 37: 5. Andaluza is about 3 minutes long, at 3:29. Based on our data, "12 Danzas Españolas, Op. 37: 5. Andaluza" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Serenata Española". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, 12 Danzas Españolas, Op. 37: 5. Andaluza's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Danzas Españolas, Op. 37: 5. Andaluza by Enrique Granados, Xavier De Maistre having a テンポ of 151 with a half-time of 76 テンポ and a double-time of 302 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All in the Past | Georgs Pelēcis, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 0 | 7A | 58 BPM | ||
Le carnaval des animaux: Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | G Major | 0 | 9B | 88 BPM | ||
Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM | ||
Un Dia de Noviembre | Leo Brouwer, Thibault Cauvin | A Minor | 1 | 8A | 97 BPM | ||
Romanian Folk Dances, Sz. 68, BB 76: I. Stick Dance | Xavier De Maistre, Béla Bartók | A Minor | 0 | 8A | 79 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Zigeunerweisen (Aires Gitanos), Op. 20 | Pablo de Sarasate, Julia Fischer, Milana Chernyavska | G Minor | 1 | 6A | 83 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Tu mancavi a tormentarmi, crudelissima speranza (arr. L. Stokowski) | Antonio Cesti, Leopold Stokowski, Brussels Philharmonic, Richard Egarr | C Minor | 0 | 5A | 78 BPM |