"Le carnaval des animaux: Carnival of the Animals: XIII. The Swan" by Camille Saint-Saëns, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno was released on February 3, 2015. The duration of Le carnaval des animaux: Carnival of the Animals: XIII. The Swan is about 3 minutes long, at 3:13. Based on our data, "Le carnaval des animaux: Carnival of the Animals: XIII. The Swan" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 9 in Elegy by Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno. Le carnaval des animaux: Carnival of the Animals: XIII. The Swan is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le carnaval des animaux: Carnival of the Animals: XIII. The Swan by Camille Saint-Saëns, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Nicola Benedetti, Petr Limonov | E Major | 1 | 12B | 73 BPM | ||
Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Pavane Pour Une Infante Defunte, M.19 (Arr. for Oboe & Orchestra) | Maurice Ravel, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | F♯ Minor | 1 | 11A | 88 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 1. Allegro con spirito | Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 124 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
O ma belle rebelle | Charles Gounod, Christian-Pierre La Marca | E Minor | 0 | 9A | 80 BPM |