"Salomea" by Jasmin Reuter, World Chamber Orchestra was released on October 28, 2022. The duration of Salomea is about 3 minutes long, at 3:16. Based on our data, "Salomea" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Flaka Goranci, World Chamber Orchestra's "La femme: Journey of Female Composers" album is number 3 out of 21. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Salomea is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Salomea by Jasmin Reuter, World Chamber Orchestra to be Vivace (lively and fast) because the track has a tempo of 172 テンポ, a half-time of 86テンポ, and a double-time of 344 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 16 in F Major, Op. 135: II. Vivace | Ludwig van Beethoven, Cleveland Quartet | F Major | 3 | 7B | 94 BPM | ||
Epigrams | Zoltán Kodály, Megumi Ozawa, Mika Yamamoto | B♭ Major | 0 | 6B | 99 BPM | ||
Les comédiens (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 6: Allegro moderato | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | D Minor | 0 | 7A | 126 BPM | ||
Piano Trio in G Major, CD 5: III. Andante espressivo | Claude Debussy, Florestan Trio | A♭ Major | 1 | 4B | 118 BPM | ||
Fantasiestücke, Op. 73, Mvt. 3 | Robert Schumann, Liv Glaser, Ernst Simon Glaser | A Minor | 2 | 8A | 113 BPM | ||
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVb. Pas de deux. Variation | Igor Stravinsky, Thomas Adès, Anthony Marwood | D Minor | 2 | 7A | 100 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
The Borrowed Dress (From "The Borrowed Dress") [Arr. K. Gashi for Chamber Orchestra] | Suad Bushnaq, World Chamber Orchestra | A♭ Major | 2 | 4B | 122 BPM | ||
Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Spectrum Concerts Berlin, Boris Brovtsyn, Clara Jumi Kang, Torleif Thedéen, Eldar Nebolsin | D♭ Major | 0 | 3B | 87 BPM |