Suad Bushnaq, World Chamber Orchestra's ' "The Borrowed Dress (From "The Borrowed Dress") [Arr. K. Gashi for Chamber Orchestra]" was released on its scheduled release date, October 28, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Flaka Goranci, World Chamber Orchestra's "La femme: Journey of Female Composers" album is number 1 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, The Borrowed Dress (From "The Borrowed Dress") [Arr. K. Gashi for Chamber Orchestra]'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The Borrowed Dress (From "The Borrowed Dress") [Arr. K. Gashi for Chamber Orchestra] by Suad Bushnaq, World Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 4 | 11B | 119 BPM | ||
Ad Elly Eshnah | Amir Hedayah, Hany El Dakkak | D Minor | 4 | 7A | 140 BPM | ||
حين التقيتك | Shakiralsalih music | D Minor | 2 | 7A | 56 BPM | ||
طاير يا هوا بصوت آدم البنا | Adam El Banna | A Minor | 3 | 8A | 108 BPM | ||
Kroll: Banjo and Fiddle | William Kroll, Augustin Hadelich, Orion Weiss | A Major | 2 | 11B | 160 BPM | ||
لقد تمّ | Father Nehme Nehme, Abeer Nehme, Salam Geha | G Major | 1 | 9B | 106 BPM | ||
Iraq to Aspania | Ahmed Mukhtar, Cristina Prats-Costa, Milan Berginc, Ricardo Fuentes Contreras, Elena Cappelletti, Mohammed Amine Kalai, Ignacio Lusardi Monteverde, James Welland | B♭ Major | 4 | 6B | 138 BPM | ||
マスネ: 歌劇「タイス」より「瞑想曲」 | 大河内涼子 | D♭ Minor | 1 | 12A | 69 BPM | ||
Hal Asmar | Jean-Marie Riachi, Abeer Nehme | F Minor | 6 | 4A | 119 BPM | ||
Oulfi | Rym Hakiki | F♯ Minor | 3 | 11A | 164 BPM |