"Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam" by Erich Wolfgang Korngold, Spectrum Concerts Berlin, Boris Brovtsyn, Clara Jumi Kang, Torleif Thedéen, Eldar Nebolsin was released on November 13, 2020. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Erich Wolfgang Korngold, Spectrum Concerts Berlin's "Korngold: Suite, Op. 23 & Piano Quintet, Op. 15" album is number 4 out of 8. Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam by Erich Wolfgang Korngold, Spectrum Concerts Berlin, Boris Brovtsyn, Clara Jumi Kang, Torleif Thedéen, Eldar Nebolsin to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia on Themes from Gounod's 'Faust', Op. 20: II. Andante non troppo | Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | A Major | 1 | 11B | 99 BPM | ||
Cello Sonata No. 2 in F Major, Op. 99: III. Allegro passionato | Johannes Brahms, Torleif Thedéen, Roland Pöntinen | D Minor | 1 | 7A | 79 BPM | ||
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con moto | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 2 | 11B | 99 BPM | ||
Cello Suite No. 5 in C Minor, BWV 1011: III. Courante | Johann Sebastian Bach, Torleif Thedéen | D Major | 1 | 10B | 114 BPM | ||
Horn Trio in E-Flat Major, Op. 40 (Version for Piano Trio): III. Adagio mesto | Johannes Brahms, Trio Sōra | F Minor | 0 | 4A | 106 BPM | ||
Variations: Waltz | John Harbison, Daniel Blumenthal, Janine Jansen, Lars Wouters van den Oudenweijer, Spectrum Concerts Berlin | G Major | 0 | 9B | 77 BPM | ||
Drei Romanzen: I Allegro molto | Clara Schumann, Christoph Richter, Dénes Várjon | D♭ Major | 0 | 3B | 85 BPM | ||
Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
Great Dramatic Sonata "Titus et Bérénice" for Cello and Piano: III. Lento tristamente | Rita Strohl, Sandra Lied Haga, Katya Apekisheva | D♭ Minor | 0 | 12A | 98 BPM | ||
Dvořák: Piano Quartet No. 2 in E-Flat Major, Op. 87, B. 162: III. Allegro moderato, grazioso - Un pochettino più mosso | Antonín Dvořák, Martha Argerich, Ilya Gringolts, Nathan Braude, Torleif Thedéen | D Minor | 0 | 7A | 87 BPM |