Johann Sebastian Bach, Torleif Thedéen's 'Cello Suite No. 5 in C Minor, BWV 1011: III. Courante' came out on May 31, 2000. The duration of Cello Suite No. 5 in C Minor, BWV 1011: III. Courante is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Cello Suite No. 5 in C Minor, BWV 1011: III. Courante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 36 in Bach, J.S.: 6 Suites for Solo Cello, Bwv 1007-1012 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Cello Suite No. 5 in C Minor, BWV 1011: III. Courante is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cello Suite No. 5 in C Minor, BWV 1011: III. Courante by Johann Sebastian Bach, Torleif Thedéen is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man's Desiring (Arr. for Piano by Myra Hess) | Johann Sebastian Bach, Rafał Blechacz | G Major | 0 | 9B | 173 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 4 in F Minor for solo violin, RV297 "L'Inverno": 2. Largo | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Minor | 2 | 4A | 99 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM |