"Fantasia on Themes from Gounod's 'Faust', Op. 20: II. Andante non troppo" by Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero was released on June 18, 2021. The duration of Fantasia on Themes from Gounod's 'Faust', Op. 20: II. Andante non troppo is about 3 minutes long, at 3:09. Based on our data, "Fantasia on Themes from Gounod's 'Faust', Op. 20: II. Andante non troppo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Violin on Stage by Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero. The song's track number on the album is #11 out of 14 tracks. In terms of popularity, Fantasia on Themes from Gounod's 'Faust', Op. 20: II. Andante non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fantasia on Themes from Gounod's 'Faust', Op. 20: II. Andante non troppo by Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Fantasia on Themes from Gounod's 'Faust', Op. 20: II. Andante non troppo being at 99 テンポ, the half-time would be 50 テンポ with a double-time of 198 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes-tableaux, Op. 39: No. 6 in A Minor. Allegro | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Minor | 3 | 3A | 119 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 99 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Glazunov: Elegia, Op. 44 | Alexander Glazunov, Gérard Caussé | E♭ Major | 1 | 5B | 89 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 128 BPM |