Linda Campanella's 'Die Zauberflöte, K. 620: Der Hölle Rache kocht' came out on February 6, 2015. The duration of Die Zauberflöte, K. 620: Der Hölle Rache kocht is about 3 minutes long, at 3:28. Based on our data, "Die Zauberflöte, K. 620: Der Hölle Rache kocht" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Südwestdeutsches Kammerorchester, Ballhausorchester Pressburg, Chor Ljubljana's "Klassik für die Kleinen: Die Welt der Oper, Vol. 1" album is number 6 out of 17. Based on our statistics, Die Zauberflöte, K. 620: Der Hölle Rache kocht's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Zauberflöte, K. 620: Der Hölle Rache kocht by Linda Campanella to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elias, Op. 70: Teil I: Ist nicht des Herrn Wort wie ein Hammer | Felix Mendelssohn, Thomas Hengelbrock | D Minor | 4 | 7A | 120 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Entr'acte et choeur du sommeil (Choeur) | Jacques Offenbach, Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 1 | 9B | 97 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 8. Arie: Nun beut die Flur das frische Grün | Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine | B♭ Major | 0 | 6B | 110 BPM | ||
Elektra, Op. 58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Inge Borkh, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM | ||
Mysliveček: Demetrio: "Mi parea del porto in seno" (Cleonice) | Josef Mysliveček, Emőke Baráth, Vaclav Luks | F Major | 2 | 7B | 134 BPM | ||
The Pirates of Penzance: How Beautifully Blue the Sky | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM | ||
Mysliveček: L'Olimpiade: "Gemo in un punto e fremo" (Licida) | Josef Mysliveček, Philippe Jaroussky, Vaclav Luks | G Major | 2 | 9B | 76 BPM | ||
Schubert: Stabat Mater in F Minor, D. 383: No. 6, Arie. "Ach, was hätten wir empfunden" | Franz Schubert, Michel Corboz, Alejandro Ramirez, Orchestre de Chambre de Lausanne | C Major | 3 | 8B | 118 BPM |