Josef Mysliveček, Philippe Jaroussky, Vaclav Luks's 'Mysliveček: L'Olimpiade: "Gemo in un punto e fremo" (Licida)' came out on June 23, 2023. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Josef Mysliveček, Philippe Jaroussky, Emőke Baráth, Vaclav Luks's "Il Boemo (Motion Picture Soundtrack)" album is number 7 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Mysliveček: L'Olimpiade: "Gemo in un punto e fremo" (Licida) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mysliveček: L'Olimpiade: "Gemo in un punto e fremo" (Licida) by Josef Mysliveček, Philippe Jaroussky, Vaclav Luks to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: E desso, o pur m'inganno | Gioachino Rossini, Ugo Benelli, Manuel Ausensi, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 80 BPM | ||
Handel: Ezio, HWV 29, Act 1: "Pensa a serbarmi, o cara" (Ezio) | George Frideric Handel, Philippe Jaroussky | E♭ Major | 1 | 5B | 127 BPM | ||
Cesare e Cleopatra, Act I Scene 8: Aria. Tra le procelle assorto (Cleopatra) | Carl Heinrich Graun, Samuel Mariño, Orchestre de l'Opéra Royal, Stefan Plewniak | E♭ Major | 3 | 5B | 139 BPM | ||
L'italiana in Algeri: Atto I. Duetto. Ai capricci della sorte | Gioachino Rossini, Vasilisa Berzhanskaya, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | A♭ Major | 2 | 4B | 98 BPM | ||
Stabat Mater in G Minor: I. Stabat Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | E Minor | 2 | 9A | 143 BPM | ||
Handel: Partenope, HWV 27, Act 2: "Qual farfalletta gira a quel lume" (Partenope) | George Frideric Handel, Emőke Baráth, Artaserse, Philippe Jaroussky | A♭ Major | 1 | 4B | 84 BPM | ||
Missa Divi Xaverii, ZWV 12: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F Minor | 1 | 4A | 125 BPM | ||
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Grande Messe des Morts: X. Sequentia: Quid sum miser - Lento | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Major | 0 | 7B | 75 BPM | ||
Bach, JS: Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust", BWV 170: IV. "Wer sollte sich demnach" | Johann Sebastian Bach, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | D♭ Major | 1 | 3B | 65 BPM |