"Dido and Aeneas - Edited Margaret Laurie & Thurston Dart - Act 3: When I am laid in earth" by Henry Purcell, Dame Janet Baker, English Chamber Orchestra, Anthony Lewis was released on January 1, 2002. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 19 out of 38 in Baroque Adagios by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dido and Aeneas - Edited Margaret Laurie & Thurston Dart - Act 3: When I am laid in earth is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dido and Aeneas - Edited Margaret Laurie & Thurston Dart - Act 3: When I am laid in earth by Henry Purcell, Dame Janet Baker, English Chamber Orchestra, Anthony Lewis is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Minor | 2 | 4A | 172 BPM | ||
Quis Est Homo | Andreas Scholl | D Minor | 0 | 7A | 180 BPM | ||
Semele / Act 2: Oh sleep, why dost thou leave me? | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E♭ Major | 1 | 5B | 168 BPM | ||
Piano Concerto No. 2 in F, Op. 102: II. Andante | Dmitri Shostakovich, Dmitri Alexeev/English Chamber Orchestra/Jerzy Maksymiuk, Jerzy Maksymiuk, English Chamber Orchestra | C Minor | 0 | 5A | 166 BPM | ||
Ode for the Birthday of Queen Anne (Eternal source of light divine): 1. Eternal source of light divine | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Stephen Cleobury, Susan Gritton, Alastair Ross, Daniel Hyde, Robin Blaze, Pavlo Beznosiuk, Michael George | D♭ Major | 1 | 3B | 172 BPM | ||
Requiem: 3. Recordare | Andrew Lloyd Webber, James Lancelot, English Chamber Orchestra, Lorin Maazel, Sarah Brightman | A Minor | 1 | 8A | 136 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
The Indian Queen, Z. 630 : Act Ii - Solo (Envy): I Fly From The Place | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A Major | 1 | 11B | 56 BPM | ||
Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 | Henry Purcell, John Eliot Gardiner, The Monteverdi Choir, Monteverdi Orchestra | C Minor | 0 | 5A | 166 BPM |