"Hudson River Suite: Albany Night Boat" by Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg was released on September 6, 2002. With this song being about 5 minutes long, at 4:57, "Hudson River Suite: Albany Night Boat" by Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg's "Grofe: Death Valley Suite / Hudson River Suite / Hollywood Suite" album is number 10 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Hudson River Suite: Albany Night Boat's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hudson River Suite: Albany Night Boat by Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Cleveland Orchestra, Pierre Boulez | F♯ Major | 0 | 2B | 134 BPM | ||
Two Songs Without Words, Op. 22: I. Country Song | Gustav Holst, Richard Hickox, City of London Sinfonia | G Major | 0 | 9B | 82 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 5. Enterrement de Kijé | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 0 | 6A | 104 BPM | ||
Jumping Bean | Robert Farnon, Vernon Handley, BBC Concert Orchestra, Martin Loveday | E♭ Major | 2 | 5B | 133 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | G Major | 0 | 9B | 123 BPM | ||
Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Four Scottish Dances, Op. 59 - Produced | Malcolm Arnold, London Philharmonic Orchestra | A Minor | 3 | 8A | 81 BPM | ||
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
Porgy and Bess / Act 1: Introduction - Jazzbo Brown Blues | George Gershwin, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 136 BPM | ||
Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM |