"Porgy and Bess / Act 1: Introduction - Jazzbo Brown Blues" by George Gershwin, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel was released on January 1, 1976. With this song being about 5 minutes long, at 5:20, "Porgy and Bess / Act 1: Introduction - Jazzbo Brown Blues" by George Gershwin, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Gershwin, Willard White, McHenry Boatwright, Francois Clemmons, Leona Mitchell, Florence Quivar, Barbara Hendricks, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel's "Gershwin: Porgy & Bess" album is number 1 out of 42. Based on our statistics, Porgy and Bess / Act 1: Introduction - Jazzbo Brown Blues's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Porgy and Bess / Act 1: Introduction - Jazzbo Brown Blues by George Gershwin, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
7 Virtuoso Etudes: 1. I Got Rhythm (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | F♯ Major | 3 | 2B | 106 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
I Got Plenty o’ Nuttin’ (From “Porgy and Bess”) | George Gershwin, Fazıl Say, Albert Regni, James Sapporito, Stanley Drucker, William Blossom | A♭ Minor | 2 | 1A | 105 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
The Ragtime Dance | Scott Joplin, Joshua Rifkin | E♭ Major | 1 | 5B | 92 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM | ||
Golliwog's Cake-walk | Claude Debussy, Bruno Fontaine | D♭ Major | 1 | 3B | 150 BPM | ||
The Easy Winners | Scott Joplin, Alexander Peskanov | A♭ Major | 2 | 4B | 154 BPM |