Mela Tenenbaum made "Brahms Hungarian Dance No.6: Johannes Brahms" available on 1995. The duration of Brahms Hungarian Dance No.6: Johannes Brahms is about 3 minutes long, at 3:13. Based on our data, "Brahms Hungarian Dance No.6: Johannes Brahms" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Tea Time". In this album, this song's track order is #4. In terms of popularity, Brahms Hungarian Dance No.6: Johannes Brahms is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Brahms Hungarian Dance No.6: Johannes Brahms by Mela Tenenbaum having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gautier: Le Secret | Tenenbaum & Kapp | G Major | 1 | 9B | 107 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Rachmaninov: 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. for Violin and Piano) | Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | B♭ Major | 0 | 6B | 101 BPM | ||
Hungarian Dance No. 7 | Johannes Brahms, Jascha Heifetz, Alfred Wallenstein, Los Angeles Philharmonic | A Major | 1 | 11B | 66 BPM | ||
La Cinquantaine | Gabriel-Marie, Sebastian Comberti, Miriam Keogh | A Major | 1 | 11B | 90 BPM | ||
Concerto No. 12 in D Major "The Labyrinth": III. Allegro | Pietro Locatelli, Philharmonia Virtuosi, Mela Tenenbaum, Richard Kapp | D Major | 3 | 10B | 107 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Carmen, fantasie brillante, Op. 3, No. 3: Allegretto quasi andantino | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | D Major | 1 | 10B | 102 BPM | ||
String Quintet in E Major, G. 275: III. Minuetto (arr. for violin and piano) | Luigi Boccherini, Shinichi Suzuki, Takako Nishizaki, Terence Dennis | A Major | 1 | 11B | 102 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM |