Jenő Hubay, Benjamin Schmid, Lisa Smirnova made "Carmen, fantasie brillante, Op. 3, No. 3: Allegretto quasi andantino" available on January 1, 2003. With Carmen, fantasie brillante, Op. 3, No. 3: Allegretto quasi andantino being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Schmid, Benjamin: Concert Pieces". In this album, this song's track order is #7. In terms of popularity, Carmen, fantasie brillante, Op. 3, No. 3: Allegretto quasi andantino is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Carmen, fantasie brillante, Op. 3, No. 3: Allegretto quasi andantino by Jenő Hubay, Benjamin Schmid, Lisa Smirnova having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le boeuf sur le toit, Cinema-Fantasie: III. Un peu plus anime | Darius Milhaud, Benjamin Schmid, Miklos Skuta | C Major | 4 | 8B | 104 BPM | ||
String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto | Ludwig van Beethoven, Kodály Quartet | B♭ Minor | 1 | 3A | 162 BPM | ||
Thoughts over Caravan (After Ellington & Tizol) | Sabina Hank, Benjamin Schmid, Ariane Haering | C Minor | 3 | 5A | 119 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Navarra, Op. 33 | Pablo de Sarasate, Itzhak Perlman, David Garvey | A Major | 2 | 11B | 101 BPM | ||
Vier Sätze für Streichquartett: I. Walking in the Zone | Georg Breinschmid, Emmanuel Tjeknavorian, Benjamin Schmid, Benedict Mitterbauer, Matthias Bartolomey | G Major | 1 | 9B | 80 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM |