Johannes Brahms, Jascha Heifetz, Alfred Wallenstein, Los Angeles Philharmonic made "Hungarian Dance No. 7" available on 1971. With Hungarian Dance No. 7 being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jascha Heifetz's "Heifetz: Showpieces" album is number 12 out of 13. On top of that, United States appears to be the country where this track was created. Hungarian Dance No. 7 is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hungarian Dance No. 7 by Johannes Brahms, Jascha Heifetz, Alfred Wallenstein, Los Angeles Philharmonic to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento, Op. 37, No. 2: Adagio | Ernst Toch, Jascha Heifetz, Gregor Piatigorsky | E♭ Major | 2 | 5B | 101 BPM | ||
Trio, Op. 9, No. 2, in D: Andante quasi allegretto | Ludwig van Beethoven, Jascha Heifetz | E♭ Major | 2 | 5B | 101 BPM | ||
Trio, Op. 90 "Dumky" in E Minor: Dumka II: Poco adagio | Antonín Dvořák, Jascha Heifetz | E Minor | 0 | 9A | 80 BPM | ||
Partita No. 3 in E Major, BWV 1006: V. Menuet II | Johann Sebastian Bach, Jascha Heifetz | D♭ Minor | 1 | 12A | 87 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
Brahms: 16 Waltzes, Op. 39: No. 15 in A-Flat Major | Johannes Brahms, Moura Lympany | A♭ Major | 1 | 4B | 102 BPM | ||
March | Sergei Prokofiev, Jascha Heifetz | E♭ Major | 2 | 5B | 112 BPM | ||
Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave | Ernest Chausson, Jascha Heifetz, Jesús Maria Sanromá | A Major | 3 | 11B | 156 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen | B♭ Major | 0 | 6B | 90 BPM |