Ernest Chausson, Jascha Heifetz, Jesús Maria Sanromá made "Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave" available on 1952. Since Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Sibelius: Violin Concerto, Op. 47, in D Minor, Chausson: Concerto for Violin, Piano & String Quartet, Op. 21 in D". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave by Ernest Chausson, Jascha Heifetz, Jesús Maria Sanromá having a テンポ of 156 with a half-time of 78 テンポ and a double-time of 312 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for String Orchestra in C Major, Op. 48, TH. 48: III. Elégie: Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Die Forelle, S. 564 (after Schubert, D. 550) | Franz Liszt, Jorge Bolet | E Major | 0 | 12B | 125 BPM | ||
Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 0 | 8B | 91 BPM | ||
Intermezzo in modo classico (Version for Orchestra) | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker | G Major | 2 | 9B | 74 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": III. Andante | Antonín Dvořák, Smetana Trio | F Minor | 1 | 4A | 85 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Suite Oriental (Suite Árabe): II. Serenata | Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Major | 0 | 9B | 133 BPM |