Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave

Ernest Chausson, Jascha Heifetz, Jesús Maria Sanromá
Sibelius: Violin Concerto, Op. 47, in D Minor, Chausson: Concerto for Violin, Piano & String Quartet, Op. 21 in D
7:59 1952日
テンポ
156
キー
A Major
キャメロットミュージックキー
11B

リンクを埋め込む

共有

Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave - Ernest Chausson, Jascha Heifetz, Jesús Maria Sanromá 情報

音響性
97%
ダンサビリティ
45%
エネルギー
34%
手段性
92%
活気
15%
ラウドネス
77%
話し言葉
3%
価数
48%
人気
ラウドネス
-13.694 dB

まとめ

Ernest Chausson, Jascha Heifetz, Jesús Maria Sanromá made "Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave" available on 1952. Since Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Sibelius: Violin Concerto, Op. 47, in D Minor, Chausson: Concerto for Violin, Piano & String Quartet, Op. 21 in D". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave テンポ

With Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave by Ernest Chausson, Jascha Heifetz, Jesús Maria Sanromá having a テンポ of 156 with a half-time of 78 テンポ and a double-time of 312 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 3/4.

Concerto for Violin, Piano & String Quartet, Op. 21 in D: Grave キー

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Serenade for String Orchestra in C Major, Op. 48, TH. 48: III. Elégie: Larghetto elegiaco by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von KarajanSerenade for String Orchestra in C Major, Op. 48, TH. 48: III. Elégie: Larghetto elegiacoPyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von KarajanF Minor14A62 BPM
Tannhäuser, WWV 70 / Act 3: Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!"Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka SalonenF♯ Major12B177 BPM
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod by Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine BullockDon Quixote, Op. 35, TrV 184: Finale: Don Quixotes TodRichard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine BullockD Major010B83 BPM
Die Forelle, S. 564 (after Schubert, D. 550) by Franz Liszt, Jorge BoletDie Forelle, S. 564 (after Schubert, D. 550)Franz Liszt, Jorge BoletE Major012B125 BPM
Suite for Viola & Small Orchestra: I. Prelude by Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio TaddeiSuite for Viola & Small Orchestra: I. PreludeRalph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio TaddeiC Major08B91 BPM
Intermezzo in modo classico (Version for Orchestra) by Modest Mussorgsky, Claudio Abbado, Berliner PhilharmonikerIntermezzo in modo classico (Version for Orchestra)Modest Mussorgsky, Claudio Abbado, Berliner PhilharmonikerG Major29B74 BPM
Pelléas et Mélisande, L.88 / Act 3: Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent"Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio AbbadoA Minor18A123 BPM
Piano Trio No. 4 in E Minor, Op. 90, B. 166 Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": III. AndanteAntonín Dvořák, Smetana TrioF Minor14A85 BPM
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song"Felix Mendelssohn, Daniel BarenboimG Minor06A82 BPM
Suite Oriental (Suite Árabe): II. Serenata by Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezSuite Oriental (Suite Árabe): II. SerenataEnrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezG Major09B133 BPM
ISRC
USBC14100135
レコードレーベル
L-M Records/RCA Records