"Magnificat - Song of Mary" by Arvo Pärt, Daniel Taylor, The Trinity Choir was released on December 1, 2017. Since Magnificat - Song of Mary is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "The Path to Paradise". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Canada. Magnificat - Song of Mary is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Magnificat - Song of Mary by Arvo Pärt, Daniel Taylor, The Trinity Choir having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria, Op. 2, No. 2 | Edward Elgar, Jonathan Vaughn, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Major | 1 | 6B | 85 BPM | ||
Magister Perotinus - Beata viscera | Vox Clamantis, Weekend Guitar Trio | B♭ Major | 0 | 6B | 91 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Vespers, Op. 37: V. "Nyne otpushchayeshi" | Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | F♯ Major | 0 | 2B | 135 BPM | ||
In Pardisum | Corydon Singers | B Major | 2 | 1B | 82 BPM | ||
Christ lag in Todes Banden, BWV 4: Duet. Den Tod niemand zwingen kunnt (Soprano, Alto) | Johann Sebastian Bach, Yumiko Kurisu, Akira Tachikawa, Bach Collegium Japan, Masaaki Suzuki | F Minor | 0 | 4A | 103 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Antiphon Caritas habundant in omnia | Hildegard von Bingen, Anonymous 4 | F Minor | 0 | 4A | 125 BPM | ||
The City | Majorstua Kammerkor & Tore Erik Mohn | E♭ Major | 2 | 5B | 88 BPM | ||
Oor es Mayr Im (Where Are You, My Mother?) [18th-19th century] (arr. S. Kradjian for 3 voices, choir and cello) | Serouj Kradjian, Anonymous , Isabel Bayrakdarian, Siroun Kojakian, Marie-Jean Zaatar, Ani Aznavoorian, Coro Vox Aeterna, Anna Hamre | F♯ Minor | 0 | 11A | 78 BPM |