"Oor es Mayr Im (Where Are You, My Mother?) [18th-19th century] (arr. S. Kradjian for 3 voices, choir and cello)" by Serouj Kradjian, Anonymous , Isabel Bayrakdarian, Siroun Kojakian, Marie-Jean Zaatar, Ani Aznavoorian, Coro Vox Aeterna, Anna Hamre was released on October 14, 2016. Oor es Mayr Im (Where Are You, My Mother?) [18th-19th century] (arr. S. Kradjian for 3 voices, choir and cello) is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in Serouj Kradjian, Isabel Bayrakdarian, Ani Aznavoorian, Coro Vox Aeterna, Anna Hamre's "Mother of Light: Armenian Hymns & Chants in Praise of Mary" album is number 18 out of 18. Oor es Mayr Im (Where Are You, My Mother?) [18th-19th century] (arr. S. Kradjian for 3 voices, choir and cello) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oor es Mayr Im (Where Are You, My Mother?) [18th-19th century] (arr. S. Kradjian for 3 voices, choir and cello) by Serouj Kradjian, Anonymous , Isabel Bayrakdarian, Siroun Kojakian, Marie-Jean Zaatar, Ani Aznavoorian, Coro Vox Aeterna, Anna Hamre to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eia Mater | Andreas Scholl | B♭ Major | 1 | 6B | 98 BPM | ||
Kyrie, "Leroy": Kyrie Leroy | John Taverner, Ars Nova Copenhagen, Paul Hillier | B Minor | 3 | 10A | 119 BPM | ||
Songs Of Penitence For Russia | "The Orthodox Singers" Male Choir, Georgiy Smirnov | C Major | 0 | 8B | 111 BPM | ||
Evenstar (Trance Remix) | Kai-Anders Ryan, Isabel Bayrakdarian | D Major | 10 | 10B | 140 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
Ek rizis agathis (From a Good Root) | Kassia, VocaMe | A Minor | 2 | 8A | 63 BPM | ||
Veni redemptor gentium | Anonymous, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. | D♭ Minor | 0 | 12A | 82 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Shen Khar Venakhi | KITKA Women's Vocal Ensemble | D Major | 1 | 10B | 85 BPM | ||
Aysor Joghovyal (The Saints Are Gathered) (arr. S. Kradjian for voice and choir) | Serouj Kradjian, Nerses Shnorhali, Isabel Bayrakdarian, Coro Vox Aeterna, Anna Hamre | E Major | 1 | 12B | 89 BPM |