"Christ lag in Todes Banden, BWV 4: Duet. Den Tod niemand zwingen kunnt (Soprano, Alto)" by Johann Sebastian Bach, Yumiko Kurisu, Akira Tachikawa, Bach Collegium Japan, Masaaki Suzuki was released on November 30, 1995. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 20 in Bach, J.S.: Cantatas, Vol. 1 - Bwv 4, 150, 196 by Johann Sebastian Bach, Various Artists, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Christ lag in Todes Banden, BWV 4: Duet. Den Tod niemand zwingen kunnt (Soprano, Alto) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christ lag in Todes Banden, BWV 4: Duet. Den Tod niemand zwingen kunnt (Soprano, Alto) by Johann Sebastian Bach, Yumiko Kurisu, Akira Tachikawa, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate pueri in G Major, RV 601 "Salmo 112": III. A solis ortu (Andante) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | A♭ Major | 1 | 4B | 128 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Bach, JS: Mass in B Minor, BWV 232: Agnus Dei | Johann Sebastian Bach, Charles Brett, Orchestra Of Collegium Vocale, Ghent, Philippe Herreweghe, Orchestra of Collegium Vocale, Ghent | F♯ Minor | 0 | 11A | 72 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Languet anima mea BWV deest 1006: I. Recitativo: Languet anima mea | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM | ||
Requiem, Op. 48: VI. Agnus Dei | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | F Major | 3 | 7B | 128 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
Concerto for Violin & Oboe in C Minor, BWV 1060R: I. Allegro | Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp | C Minor | 2 | 5A | 97 BPM |