Johann Christian Schickhardt, Musica ad Rhenum, Jed Wentz made "Concerto in G Minor: V. Allegro" available on March 26, 2021. With Concerto in G Minor: V. Allegro being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 77 out of 93 in Baroque Concerti from The Netherlands by Musica ad Rhenum, Jed Wentz. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Concerto in G Minor: V. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto in G Minor: V. Allegro by Johann Christian Schickhardt, Musica ad Rhenum, Jed Wentz is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
King Arthur, Z. 628, Act II: No. 10, Introduction | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | D♭ Minor | 1 | 12A | 67 BPM | ||
Theodora, HWV 68, Overture: Trio | George Frideric Handel, Arcangelo, Jonathan Cohen | D Major | 1 | 10B | 89 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: IV. Allegro | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | G Major | 1 | 9B | 97 BPM | ||
Concerto Grosso No. 2 in G Major (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | F♯ Major | 1 | 2B | 87 BPM | ||
The Fairy Queen, Semi-Opera, Z. 629: First Music: Hornpipe | Henry Purcell, Ensemble Masques | F♯ Minor | 2 | 11A | 110 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Concerto in D Major for Trumpet, 2 Oboes, Strings and B.C. - MWV 6.32: III. Allegro | Johann Melchior Molter, Andre Schoch, Stuttgart Chamber Orchestra | D Major | 3 | 10B | 122 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Flute Sonata in E Minor, H. 551: II. Allegro | Carl Philipp Emanuel Bach, Accademia Ottoboni, Manuel Granatiero | E♭ Minor | 1 | 2A | 120 BPM |