Henry Purcell, Vox Orchester, Lorenzo Ghirlanda's 'King Arthur, Z. 628, Act II: No. 10, Introduction' came out on May 10, 2019. With King Arthur, Z. 628, Act II: No. 10, Introduction being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Purcell & Locke: Orchestral Works". In this album, this song's track order is #2. King Arthur, Z. 628, Act II: No. 10, Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With King Arthur, Z. 628, Act II: No. 10, Introduction by Henry Purcell, Vox Orchester, Lorenzo Ghirlanda having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sancta Mater | Andreas Scholl | D Major | 1 | 10B | 73 BPM | ||
The Indian Queen, Z. 630 : Act V - Chorus: While Thus We Bow | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | E Major | 1 | 12B | 89 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Les plaisirs: Bourree pour les Coutisans | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 121 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi | B Minor | 3 | 10A | 118 BPM | ||
Music For A While | Henry Purcell, Nath. Lee, John Dryden, Voci Nobili, Maria Gamborg Helbekkmo | C Major | 2 | 8B | 78 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
The Indian Queen, Z. 630 : Act Ii - Solo (Fame) And Chorus: I Come To Sing | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | B Major | 2 | 1B | 155 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM |